Third-Blog-Post

Lighting Design for Post Production Facility Studios in Feature Films

Lighting plays a decisive role in shaping the technical precision, creative output, and mental comfort of professionals working in post-production environments. Feature films, as a major component of entertainment and everyday cultural engagement in India, rely heavily on meticulously designed post-production facilities where sound, visuals, music, and storytelling come together before theatrical release.

Over the years, 96 Design Group (96DG) has been deeply involved in designing pre-production and post-production facilities for leading film studios in Hyderabad, including sound mix studios, dubbing studios, Foley studios, digital intermediate (DI) suites, and home extension studios. These spaces demand a highly specialized lighting approach that balances functionality, comfort, and creative flexibility.


The Importance of Lighting in Post-Production Studios

Lighting design in studios goes far beyond illumination. It directly impacts the concentration levels, productivity, and well-being of artists and technicians who spend long hours refining films. The goal is to create an environment that supports both technical accuracy and emotional comfort.

Key objectives of studio lighting design include:

  • Enhancing the functional efficiency of the workspace

  • Creating a calm, professional, and comfortable atmosphere

  • Supporting mental focus during long working hours

  • Allowing flexibility to adapt lighting to the mood of the project


Key Lighting Design Principles Adopted

The lighting strategy for post-production studios follows a carefully layered and controlled approach:

  • Acoustic Integration: Lighting complements acoustic treatments by integrating backlighting within acoustic panels and clouds without disturbing sound performance.

  • Glare Control: Direct glare on artists and technicians is avoided to ensure visual comfort and precision.

  • Mood Creation: Adjustable color temperatures—from warm to cool—allow lighting to adapt to different creative needs.

  • Indirect Lighting Preference: Indirect lighting is favored over direct sources to maintain uniformity and reduce eye strain.

  • Ambient Light Control: Natural light is usually excluded to maintain consistency and avoid interference during sensitive post-production work.

  • Energy Efficiency: Low-heat LED fixtures are used to support dimming, color control, and long operational hours.

  • Automation Integration: Advanced lighting automation systems enhance sophistication and user control.

  • Silent Fixtures: Switches and fixtures are selected to ensure minimal operational noise.


Lighting, Interiors, and Material Coordination

Architecture and interior design play a vital role in enhancing lighting outcomes. Studio interiors often use layered materials such as wood, metal channels, acoustic panels, perforated plywood, fabric finishes, louvers, carpet flooring, and insulation systems. Lighting layouts are carefully coordinated with cable management and material detailing to reduce maintenance and improve longevity.

Room heights also influence lighting decisions. Studios with ceiling heights ranging from 3.6m to 6m require tailored fixture types and placements. Illumination levels typically range between 200 to 1000 lux, depending on the studio type and functional needs.

From low-wattage fixtures to specialized COB and hanging cylinder lights, lighting choices are aligned with both acoustic ceilings and visual aesthetics.


Collaboration for Excellence

Successful studio lighting design is the result of seamless collaboration between architects, interior designers, acoustic consultants, lighting consultants, and vendors. This integrated approach ensures that design intent is translated effectively from concept to execution.

96 Design Group has consistently demonstrated expertise in coordinating multidisciplinary teams to deliver technically robust and creatively inspiring post-production environments—spaces where films truly come to life before reaching the audience.

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